According to live events company, Guerilla Union, Lauryn Hill and A Tribe Called Quest are confirmed to perform at touted hip-hop music super-concert, Rock The Bells, this summer in New York.

Lauryn Hill is scheduled to perform “a unique set prepared exclusively for Rock the Bells, featuring songs from her critically acclaimed album The Miseducation of Lauryn Hill spanning through her work with The Fugees and more;” and A Tribe Called Quest will perform classic LP, Midnight Marauder in its entirety.

Also on the bill are Snoop Dogg, who will peform famed album, Doggystyle, Wu-Tang Clan, KRS-One, Slick Rick, Rakim, Murs and 9^th Wonder, Wiz Khalifa and Clipse. Considering the caliber of the announced artists, the surprise performances are likely to be unprecedented. Fugees reunion? We kid, we kid.

Ticket Info:

• Aug 21: NOS Events Center | San Bernardino, CA
• Aug 22: Shoreline Amphitheater | San Francisco, CA
• Aug. 28: Governor’s Island | New York, NY
• Aug. 29: Merriweather Post Pavillion | Washington, D.C.

Pre-Sale Friday June 11 @10am

On-Sale Saturday June 12 @10am

General Admission – $75 + fees

For more information visit: http://rockthebells.net

R&B artist Raheem DeVaughn releases new mixtape Mr. February x March Madness. Tracklist and download after the jump!

While gearing up for the release of his new album In Love & MasterPeace on March 2nd, DeVaughn put out this mixtape to prep his fans. He remixes a variety of songs, such as Invented Sex, Pretty Girls, Bonita Applebum, and Soldier of Love.

Give it a listen. Download here!

Shouts to 2DB!

New Quest track/cover of A Tribe Called Quest classic, “Lyrics to Go” (Prod. by M. Will The Shogun), stream and download after the jump!

Download Here

“Lyrics to Go” is a track off of Quest and M. Will The Shogun’s upcoming project, The Reason, expected to drop in the first quarter of 2010.

Photo by Kendra Desrosiers

Chester French and Q-tip perform at Summer Stage.

Central Park was live this afternoon at the Summerstage concert with headliner Q-Tip. It was hot and there was no shade in sight but that didn’t stump the crowd’s energy. Chester French, Sweden-based group Little Dragon, and DJ Benji B got the crowd ready for “The Abstract.” Familiar also sited today included Cassie, Damon Dash, and Amanda Diva.

Duo, Chester French moved the crowd with hits from their mixtape “Jacques Jams, Vol 1: Endurance” and debut album Love The Future. DA Wallach had the crowd laughing at his dorky swag as he instructed the crowd to commence in a soul snap. “Hands up in the fucking air! We need you to snap with us in a second!”

They performed songs like “Jimmy Choos,” “C’mon” and crowd favorite “She Loves Everybody.” The pit was packed with toddlers and guests of a guest but we managed to get some video of their set, check it out:

Chester French @ SummerStage NYC from 25 Magazine on Vimeo.

The Queens Hip Hop legend, Q-tip gave a phenomenal performance with a live band to the at capacity venue. He performed a mix of A Tribe Called Quest classics including “Bonita Applebum,” “Scenario,” and “Sucka N*ggas” as well as “Award Tour,” in which all the die hard “real Hip Hop heads” sang word for word. Tip also performed songs from his latest album The Renaissance, such as “We Fight/We Love” and “Gettin Up.”

While Tip performed “Vivrant Thing,” Diddy danced into the press pit, hopped on stage and did his famous two-step. No one expected it (but 25 caught it on tape and video!). After ending his set, Q-tip came back on stage for “Life is Better,” and jumped in the crowd.

No one wanted Q-tip to ever leave the stage and he clearly gave all his energy to the crowd by sweating out his white tee and presumably his knee high black socks. His performance was unforgettable indeed.

Here’s some Twitter highlights:

@25mag: @iamdiddy jumped on stage w/@qtiptheabstract, guess who’s the only to get video and photo? @25mag, get familiar, best show of the summer!

@25mag: Industry rule number 4080, record company people are shadyyyy

@25mag: He’s in the crowd, where is he? we can’t see you tip, you a lil short my man

@25mag: @qtiptheabstract is sweatin hard, great show!

Check out our exclusive video coverage and photos of Q-tip’s performance, including Diddy’s dance number:

Check out: Q-Tip @ SummerStage Photo Gallery

25 Magazine catches up with Von Pea and Donwill of rap trio Tanya Morgan on the heels of their LP,  Brooklynati.

Music has met its match, the internet, and over the past decade they’ve built a strong alliance and revolutionized music discovery and distribution. Many artists have benefited from the joining of the two mediums. Some notable offspring include Soulja Boy Tell’em, who has over 400 million views on YouTube; The Cool Kids, who formed after finding each other’s music on Myspace in 2005; and Asher Roth who was signed by Atlanta based manager Scooter Braun through Myspace in 2006. But long before these artists used the internet to network and share music, rap trio Tanya Morgan had already been there and done that.

Rapper Von Pea credits the internet for Tanya Morgan’s formation. Its connecting power brought Von Pea from Brooklyn, and Donwill and Ilyas from Cincinnati together. Back in 2000, Donwill was working with Ilyas in a group called Ilwill, and first heard Von Pea’s music on okayplayer.com. By 2003, the three emcees formed Tanya Morgan and released their first mixtape Sunlighting online in 2005, as well the EP Sunset later that year. In 2006, they dropped their debut album Moonlighting and took their career on the road. During the mid-2000s, Tanya Morgan made their presence in the indie Hip Hop circuit performing in Toronto’s NXNE Festival with Noveau Riche and performing in the Brooklyn Hip Hop Festival with Consequence and Ghostface Killah. Just last week they headlined with Torae & Marco Polo at Southpaw in Brooklyn.

In the past six years, Tanya Morgan has received nods from rap notables De La Soul and Black Thought from The Roots for their affinity for both lyrical complexity and content. The trio has pumped a steady flow of music into the blogosphere over the past few years, releasing their mixtape Tanya Morgan Is A Rap Group and The Bridge EP in 2008, and their LP Brooklynati in June. Although Tanya Morgan has not hit the mainstream Hip Hop scene, their focus is not on commercial cross over. They understand true success, and rather than define themselves through records sold and Myspace hits, they’d rather focus on making the best “intelligent car music” possible.

25: What is the story behind Tanya Morgan’s name?

Donwill: Pretty much the name was designed for a one-off project. It was to throw people off with the album so they discover that it’s rap. It’s kind of like a weird inside joke and the name stuck. We’ve adopted several meanings to the name but it’s to expect the unexpected.

25: How did you all form Tanya Morgan?

Von Pea: Donwill and Ilyas met in college. They went to college together in North Carolina and they’re both from Cincinnati. I’m from Brooklyn. They hooked up and became homeboys in college. I was just starting to try to get my demo together. I was working with DJ Brainchild and Phonte back when Phonte was a solo artist. Donwill was one of the first people to hear my music when I first started in 2000, I guess through internet music sites like okayplayer.com and mp3.com. From there we started working with each other, but as far as being a group, me and Don became a group and he and Ilyas were already working together. From there, I just started working with both of them. We decided to do what was supposed to be a one-off project and we got stuck together.

25: You guys merge styles from Cincinnati and Brooklyn, how does that impact your sound?

Donwill: I would say our music is a mix of the east coast boom-bap and the mid-west stump. We make intelligent car music. It sounds good in your truck bunk and sounds good when you think about what we’re actually saying. In short, we make smart car music.

25: What distinguishes Brooklynati from your other productions?

Donwill: I think if people have ever heard anything that we’ve done it’s just a progression of the things we’ve done. It’s just everything is on a more professional, better version of what we’ve done. More thought out. We just did our own production this time around.

25: Do you think your music would be heard without the internet?

Von Pea: It would be interesting to see that, because we would have never become a group if not for the internet. I wouldn’t have any way to meet them, [Donwill and Ilyas]. I would have to go to Cincinnati. I don’t have friends or family in Cincinnati. They’re like my family in Cincinnati now but before them I had no reason to go to Cincinnati. We wouldn’t even be a group.

25: Why did you sign with Interdependent Media?

Donwill: We were actually, since our first album, signed with a subsidiary label called Loud Minority and that label got dissolved into Interdependent Media, as opposed to switching up the whole team that was part of the creative line up. A lot of our ideas are unconventional, and we wouldn’t be able to receive that sort of creative control from other vessels. So we just chose to rock with what we’ve been rocking with, and try to see what we can do together on a slightly larger scale.

25: How do you feel about the music industry and how has it impacted your work?

Von Pea: I feel like the music that we make is influenced from our life, and is the music that we gravitated to and listened to growing up. As far as hip hop, it’s more of the same. It hasn’t really changed. It’s more of a financial or monetizing thing. You see less intelligent music and more commercial, mainstream music. It’s harder to find, but if you go into Fat Beats, I guarantee it is all there. I think hip hop is okay. I think the rap game is in crutch right now because we don’t have record stores. We have Fat Beats and your local mom and pops. You go in there to look around and they carry our products and many of our friends. Hip hop is alive and well. It’s not really dead, it’s just harder to find.

25: You have been making music for some time, how do you feel about your slow rise to recognition?

Donwill: Still waters run deep. Nothing is overnight. Even if it looks overnight, it was probably 10 years in the making. You can’t really name an artist that was just concocted and rose to this meteoric success, without understating the 10 years or 20 years of work they put in until they get to that point of even having a meteoric rise. Name any artist, and there’s at least 10 years worth of grind and hustle. They just don’t talk about it because it’s behind them; it’s the past. It may work to be slow and steady, but 10 years from now after all is said and done and we have our cult following-I’m not in it for the fast run. The quicker you get in the quicker you leave.

25:What has been the defining moment for Tanya Morgan?

Von Pea: I think every time we meet artists that we grew up on, they always seem to know us and show us love. Just to see emcees we grew up on and we’ve learned so much from have respect for us, gets me every time. It’s been De La Soul, Ali Shaheed Muhammad from A Tribe Called Quest, and Black Thought from The Roots, the whole Hieroglyphics [artist roster], and DJ Jazzy Jeff. It’s been so many people that you would think pay you no mind at all, and then they go, “Oh yeah! We know you! We like what y’all do! Y’all are dope!” They understand that you’re the next generation of what they do. They still have the torch and they’re still running, but if they say, “If I stop today, the torch will be handed to y’all,” that’s special to me. That’s defining to me. That’s how we know we’re doing the right thing.